Chai Pilgrimage

Ganesh is the elephant-headed God in the Hindu tradition who is honored at the beginning of all ceremonies and endeavors. He opens the Way. We offer our love and gratitude to the One who blessed us with inspiration, guidance and protection, and continues to remove all obstacles on our Chai Pilgrimage. I have always loved elephants. Maybe that’s why I instantly connected with Ganesh when I first ‘met’ him. I made this Ganesh (available here) to remind me of his wonderful attributes and immense wisdom.

Ganesh is the inspiration for probably millions of artists. Everywhere we turned, we saw his image. We sighted this Ganesh-in-motion on the back of a rickshaw in Kathmandu.

We passed this Ganesh on a narrow alley in old Kathmandu. He seemed to be glowing.

I colored this ‘chai wallah’ version of Ganesh in my sketchbook.

Our friend Veejay is an artist living in Varanasi. He’s made (literally) thousands and thousands of Ganeshes.

Veejay’s brother, Deepu, carved this Ganesh for us.

And this special “lucky Ganesh penny” sits on my desk — my friend Amanda sent it to me from India.

I love to surround myself with reminders of the Divine, because it does just that — reminds me to REMEMBER. This is something I definitely ‘took’ from my visits to Nepal and India. Here, my days are filled with so much activity–work deadlines, cooking, cleaning, errands, and exercise — that I appreciate the reminder to pause for a moment, breathe, and give thanks. Whether the reminder is an image of Ganesh or Buddha, or even a vase of flowers or a walk in nature, it takes me to the same place within. Peace.

As we ascended the steep stone path to the hilltop Tashiding monastery, each step took us deeper into a palpable prayer. Thousands of colorful prayer flags stamped with Tibetan mantras released their blessings into the clear sky above our heads. The breeze playfully spun windmill-like prayer wheels, spiraling out loving kindness towards the blue mountain horizon. A field of stupas rose out of the earth like white and golden Buddhas popping up in Heaven’s flower garden. The silent blessings permeated our being and carried us barefoot around the monastery grounds.

A wall of mani stones, slabs of granite painted in bright colors with the great Tibetan Buddhist mantra om mani padme hum etched into them, encircled the entire stupa compound in an energetic ring invoking compassion. As we came around a corner, we spotted a figure inside a corrugated tin and stone shack built into the prayer wall. A man peered out from behind stacked slabs of gray stone. As we approached him with obvious interest on our faces he signaled us to come in and sit.

He sat surrounded by engraved tablets, chiseling the next prayer. His long fingers held a chisel in one hand braced against the carving easel, while his other hand gently tapped with a small hammer. His graying dark hair was tied in a knot like a small stupa on top of his head. His face had sculpted asian features and long, thin strands of hair hung from his chin and moustache. He worked diligently as he peered through thick brown glasses tied with a string around his head. Occasionally he stopped and looked at us for a few minutes, the three of us speaking no words.

I somehow asked him if he had carved the thousands of prayers surrounding the shrine. It is like a game of silent charades. You can have an entire conversation this way and not even realize you haven’t spoken a word. He signaled his hand in a circle then pointed to himself to indicate that, yes, he indeed was the artist of this massive body of prayerful work. It seemed irrelevant to try to ask him how long he has been living here as a sculptor. If he told us 300 years, when this monastery was first built, we would have believed him. It is that way in India — no unbelievable truth is beyond doubt. We sat in wonder and witnessed this timeless being living in the heavenly realm dedicating his life to extracting prayers out of stone.

He laid his tools down, and with a flick of his head, flung his glasses to his forehead. Aromatic smoke rose from under his blackened teakettle. He took the kettle and poured another cup, took a bite of a biscuit and a sip of tea. He then sat in silence and closes his eyes. I think he was napping. After a few minutes, his head nodded foreword and his glasses fell back onto his nose. He opened his eyes, took a long sigh and continued his work.

We later learned his name, Yanchong Lodil.